I interviewed Floyd Bolin at his home in Alexandria, Minnesota, in May, 2003. He was 94 years old at the time, slight of build, ramrod straight, a little hard of hearing, and funny. I was a few minutes early when I arrived for the first of my two interview sessions with him. I rang the doorbell and got no answer. I knocked loudly and got no answer. The door was not locked so I opened it and called Floyd's name and got no answer. I stepped into the house a couple of steps, far enough to see Floyd in the living room, tipped back in his recliner, a blanket on his lap, his eyes closed, an alarm clock on the blanket. "Floyd," I said, "it's Tom Montag." Floyd opened his eyes, looked at me, looked at his alarm clock, and said, "Tom, you're a few minutes early. You'll have to go away and come back at 4:00 p.m." That's the sense of humor Floyd has, and that quick. My thanks to Ione Jensen and the Douglas County Historical Society for this transcription.
Vagabond: We have to get you from your teenage years to your adult working life now. When did you get to the boat works, how did you get to founding the dairy in Alexandria?
Floyd: Well, you’ve got a lot of questions. I’m going to have to go for the dairy, that was the big thing in my life. On the farm there was times in the seasons when there wasn’t much to do because of the weather and in the winter time there was leisure time. We did cut our own wood. My dad always contracted pieces of timber that we would cut, timber for the next year and haul it home, saw it and all that stuff, split it and pile it up. So we had a lot of chores that my dad had us do. There was times when there wasn’t much to do. So I was a dreamer. I would sit there and just look out the window and he’d say why aren’t you doing something? Then I’d kind of wake up and say what should I do? He said, out there is a wood pile and in that wood pile is a lot of nice basswood. He said why don’t you whittle a chain. Why do that? That would be something for you to do. It was a challenge to me. And I think this would be the time to show you that chain.
Vagabond: Do you have the first chain?
Floyd: A series of chains came over a period of many, many years. I will show you. Now I’m going to have you sit in such a way that you can’t see what I’m doing. Let’s sit on the davenport. Pull that thing out and we’ll both sit on it. I will sit over here. Now here’s my first failed chain failed. It’s hard to work with wood like this, basswood. To complete the whole chain without breaking it is very, very difficult. It’s one of the hazards of making chains. You can do it alright but just a little too much pressure at the wrong place and it will break. You can see that. So I keep these pieces for that purpose.
Vagabond: It’s a lesson for you, to remind you?
Floyd: Well, and for other people. I don’t know if very many have tried it. Here is the first successful chain I made.
Vagabond: Is that basswood?
Floyd: Yes, that’s basswood and it’s dated. I put that date in many years later. But I figured it out, it was 1923 when I did it. So you can see that’s cleaner there. But that’s the date, the winter that I made that chain. And my dad was satisfied. He said, when you make the chain, don’t cheat. The word cheat is fruft in Swedish. You mustn’t cheat and make it like the dog chain. You see it’s easy to make a scrawny chain, you know, with lots of room in the links. I’ve seen other people’s chains. They think, boy I whittled a chain. But there’s nothing to it if you cheat and make one that has a lot of room in it, so you can get at things. When you hold that together, you see how little room there is there.
Vagabond: It’s like log chain.
Floyd: You’ve gotta dig that wood out of there and finally get it to loosen up and all those positions that are in there. It’s really a toughie. I still say that. Now I’m going into this. These are two knives that I made myself.
Vagabond: For this carving?
Floyd: I found it hard. I had a pen knife that I did the first one with. But my dad bought me for a Christmas present that I made this chain with. But a pen knife was not small enough. This is the one that does the work.
Vagabond: It’s less than half an inch long, coming to a point out of the knife handle.
Floyd: You’ve got a lot of grip here. This is tool steel that I bought from an business man who lived right within this same half block, about 150 feet from here. Bought the steel from him, that’s tool steel. It can hold a very good edge. Then I made the handles, both are from seasoned maple out of the wood pile. That’s ash there. This is maple. Those rivets that I used are harness rivets out of my dad’s harness room.
Vagabond: When did you make these?
Floyd: This was in the early 1920s.
Vagabond: So the chain that I saw, where you were successful, you used these knives to carve with?
Floyd: This is the one I used to make most of it. I think I did this because I thought I was going to have an advantage when I whittled 4 holes in there. But, like I say, there’s times when this came in handy. And I forged this myself.
Vagabond: To band it and turn it, twist it a little bit?
Floyd: You make it a certain color red hot and then you dip it in oil to temper it, the right kind of temper for this fine type of steel. So those I made myself. Now I’m going to show you my first successful, that is my professional. I got a job many years later, now this was 1923, I think the date is on there.
Vagabond: February.
Floyd: In the early 30s I got a job at a place, a boys camp here on Lake Carlos. I had spare time and I had a bunch of horses to take care of and stuff and I stayed there in the wintertime. I batched it out there. So I did a lot of reading, of course, but I thought, gee whiz, now’s the time I could really make a nice chain. So I whittled this one out. Now that is lemon wood. What prompted me to do the chain: the boys camp had bow and arrow training for the boys as one of the main trainings they had. And this was a broken bow laying there and I just knew that was very good wood. So I fashioned it into squares that I wanted. Now, this is divided into three. When you make a chain you always do something that divides easily into three because there’s three parts. So that is my first professional chain. You can see I have the dates down there.
Vagabond: 1935, Camp Carlos.
Floyd: And you see the beveled edges and the mitered corners and you see the pyramid tops. Very difficult to do.
To be continued....
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FLOYD BOLIN
TOGETHER AGAIN
JUNE 21, 2002
APRIL 20, 2005 CONT'D - (28)
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MONDAY, JUNE 9, 2008
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